{"id":2480,"date":"2015-10-08T12:14:59","date_gmt":"2015-10-08T10:14:59","guid":{"rendered":"http:\/\/wp.maxim-film.com\/en\/?post_type=avada_portfolio&#038;p=2480"},"modified":"2018-12-07T16:10:32","modified_gmt":"2018-12-07T16:10:32","slug":"1917-the-real-october","status":"publish","type":"avada_portfolio","link":"https:\/\/maxim-film.de\/en\/portfolio-items\/1917-the-real-october\/","title":{"rendered":"1917 &#8211; The Real October"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p>The Russian Revolution. A cut-out\u00a0animation.<strong><em><br \/>\n<\/em><\/strong><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-first\" style=\"--awb-bg-size:cover;width:48%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:350px;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:58.33%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/198817735?autoplay=0&amp;autopause=0\" width=\"600\" height=\"350\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-last\" style=\"--awb-bg-size:cover;width:48%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>1917 &#8211; The\u00a0Real October<\/strong><strong><br \/>\n<\/strong><\/h1><\/div><div class=\"fusion-text fusion-text-2\"><p><strong>VOD<\/strong> English version on <a href=\"https:\/\/vimeo.com\/ondemand\/1917therealoctober\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Vimeo<\/a><\/p>\n<p><strong>DVD<\/strong> with English and German versions and various subtitles available on <a href=\"https:\/\/www.amazon.de\/s\/ref=nb_sb_noss_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&amp;url=search-alias%3Daps&amp;field-keywords=1917+-+der+wahre+oktober\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Amazon.de<\/a> and at bookstores in Germany, Switzerland and Austria (ISBN 978-3-9812395-7-7).<\/p>\n<p>Exhibition <a href=\"http:\/\/www.tsd.de\/de\/mm\/ausstellungen\/sonderausstellungen\/reader\/title\/KatrinRothe\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Der Animadoc von Katrin Rothe<\/a>, Deutsches Institut f\u00fcr Animationsfilm, Dresden, September 8, 2018 to April 28, 2019<\/p>\n<p>Film on <a href=\"https:\/\/www.facebook.com\/1917derfilm\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Facebook<\/a> (in German)<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-first\" style=\"--awb-bg-size:cover;width:48%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-slider-sc fusion-flexslider-loading flexslider flexslider-hover-type-none\" data-slideshow_autoplay=\"1\" data-slideshow_smooth_height=\"0\" data-slideshow_speed=\"7000\" style=\"max-width:100%;height:100%;\"><ul class=\"slides\"><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/der-wahre-oktober-produktionsphase-663x402px-photo-maxim-film-5900-1.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/der-wahre-oktober-produktionsphase-663x402px-photo-maxim-film-5970.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/makingof_dwo_\u00a9katrinrothe_photo-annamaysuk_7831_663x402_b.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/der-wahre-oktober-produktion-trickstudio-bremen-2016-03-10-photo-peter-roloff-9542_663x402.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/der-wahre-oktober-produktionsphase-bremen-624x416.jpg\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-kasimir_malewitsch_4-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-maxim_gorki_3_663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-sinaida_hippius_5-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-alexander-benois-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-wladimir_majakowski_5-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-demonstranten_4-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-demonstranten_5-663x402.jpg\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-sinaida_hippius_4-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><li class=\"image\"><span class=\"fusion-image-hover-element hover-type-none\"><img decoding=\"async\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/1917-der_wahre_oktober-kasimir_malewitsch_3-663x402px.jpg\" width=\"663\" height=\"402\" \/><\/span><\/li><\/ul><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-last\" style=\"--awb-bg-size:cover;width:48%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-3\"><p>A cut-out animation\u00a0on artists in times of revolution.<\/p>\n<p>St. Petersburg 1917. The frontline of the global war is coming closer everyday; people are hungry, worried, angry. In February the tsar is overthrown. Many artists are euphoric: Revolution! Freedom! Freedom, finally? No. Starting in October, the Bolsheviks rule by themselves. What were poets, thinkers, and avant-gardists like Maxim Gorky and Kazimir Malevich doing during this drastic change of power? In the film, five of them alight from the director\u2019s piles of books as animated cut-out figures. With their own recorded words in their mouths, they participate in salons, committees, and street riots: moments during which the outcome of the history is still unknown.<\/p>\n<p><span class=\"filmMenue\"><strong>director:<\/strong><\/span>\u00a0<a href=\"https:\/\/maxim-film.de\/en\/katrin-rothe\/\" class=\"local-link\">Katrin Rothe<\/a><br \/>\n<strong>g<\/strong><span class=\"filmMenue\"><strong>enre:<\/strong>\u00a0animadoc &#8211; animated documentary\u00a0<\/span><br \/>\n<span class=\"filmMenue\"><strong>duration:<\/strong>\u00a0theatrical 90 min. \/ TV 52 + 45 min.<br \/>\n<strong>format:<\/strong> 4K \/ 2K \/ DCP<\/span><br \/>\n<strong>year:\u00a0<\/strong>2017<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-tabs fusion-tabs-1 classic nav-is-justified horizontal-tabs icon-position-left mobile-mode-accordion\" style=\"--awb-title-border-radius-top-left:0px;--awb-title-border-radius-top-right:0px;--awb-title-border-radius-bottom-right:0px;--awb-title-border-radius-bottom-left:0px;--awb-inactive-color:#ebeaea;--awb-background-color:#ffffff;--awb-border-color:#ebeaea;--awb-active-border-color:#9e9e9e;\"><div class=\"nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-21d8eccbfd7bd5767bf\" aria-selected=\"true\" tabindex=\"0\" id=\"fusion-tab-21d8eccbfd7bd5767bf\" href=\"#tab-21d8eccbfd7bd5767bf\"><h4 class=\"fusion-tab-heading\">poster<\/h4><\/a><\/li><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-12c82aeac247846f30d\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-12c82aeac247846f30d\" href=\"#tab-12c82aeac247846f30d\"><h4 class=\"fusion-tab-heading\">production<\/h4><\/a><\/li><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-0cfe3c1853be5f74081\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-0cfe3c1853be5f74081\" href=\"#tab-0cfe3c1853be5f74081\"><h4 class=\"fusion-tab-heading\">more info<\/h4><\/a><\/li><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-9c887b49b07eeaf45de\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-9c887b49b07eeaf45de\" href=\"#tab-9c887b49b07eeaf45de\"><h4 class=\"fusion-tab-heading\">festival theatrical tv<\/h4><\/a><\/li><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-a31b31e6c0e02ede53c\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-a31b31e6c0e02ede53c\" href=\"#tab-a31b31e6c0e02ede53c\"><h4 class=\"fusion-tab-heading\">buy<\/h4><\/a><\/li><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-8ba7f82233ceac9d256\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-8ba7f82233ceac9d256\" href=\"#tab-8ba7f82233ceac9d256\"><h4 class=\"fusion-tab-heading\">press<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-21d8eccbfd7bd5767bf\" aria-selected=\"true\" tabindex=\"0\" id=\"mobile-fusion-tab-21d8eccbfd7bd5767bf\" href=\"#tab-21d8eccbfd7bd5767bf\"><h4 class=\"fusion-tab-heading\">poster<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-21d8eccbfd7bd5767bf\" id=\"tab-21d8eccbfd7bd5767bf\"><a href=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/poster-dwo-englisch-400px-breit.jpg\" rel=\"attachment wp-att-3766\" class=\"local-link\"><img decoding=\"async\" class=\"alignnone size-full wp-image-3766\" src=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/poster-dwo-englisch-400px-breit.jpg\" alt=\"1917 - The Real October\" width=\"400\" height=\"571\" srcset=\"https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/poster-dwo-englisch-400px-breit-210x300.jpg 210w, https:\/\/maxim-film.de\/en\/wp-content\/uploads\/sites\/2\/2015\/10\/poster-dwo-englisch-400px-breit.jpg 400w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-12c82aeac247846f30d\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-12c82aeac247846f30d\" href=\"#tab-12c82aeac247846f30d\"><h4 class=\"fusion-tab-heading\">production<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-12c82aeac247846f30d\" id=\"tab-12c82aeac247846f30d\"><strong>original title<\/strong> 1917 &#8211; Der wahre Oktober<\/p>\n<p><strong>written\u00a0&amp; directed<\/strong> by Katrin Rothe<br \/>\n<strong>music by<\/strong> Thomas M\u00e4vers<br \/>\n<strong>editing by<\/strong> Silke Botsch<\/p>\n<p><strong>Zinaida Gippius<\/strong><br \/>\nvoice Claudia Michelsen, Nicolaia Marston<br \/>\nanimation Lisa Neubauer, Caroline Hamann<\/p>\n<p><strong>Alexander Benois<\/strong><br \/>\nvoice Hanns Zischler, Michael Morris<br \/>\nanimation Gabriel M\u00f6hring<\/p>\n<p><strong>Vladimir Mayakovsky<\/strong><br \/>\nvoice Maximilian Brauer, Steve Hudson<br \/>\nanimation Lydia G\u00fcnther<\/p>\n<p><strong>Maxim Gorky<\/strong><br \/>\nvoice Martin Schneider, Trevor Roling<br \/>\nanimation Matthias Daenschel, Gabriel M\u00f6hring<\/p>\n<p><strong>Kazimir Malevich<\/strong><br \/>\nvoice Arne Fuhrmann, Paul Bendelow<br \/>\nanimation Jule K\u00f6rperich, Karin Demuth<\/p>\n<p><strong>narrator voice<\/strong> Inka Friedrich, Danielle Green<\/p>\n<p><strong>reader<\/strong> Klemens Fuhrmann, Michael Morris<\/p>\n<p><strong>additional animations<\/strong> Kirill Abdrakhmanov, Caterina W\u00f6lfle, Donata Schmidt-Werthern, Thurit Antonia Kremer, Maria Szeliga<br \/>\n<strong>storyboard<\/strong> Caroline Hamann<br \/>\n<strong>character design<\/strong> Jonathan Webber<br \/>\n<strong>side-character design<\/strong> Nino Christen, Keti Zautashvili<br \/>\n<strong>background design<\/strong> Alma Weber, Caterina W\u00f6lfle<br \/>\n<strong>screen print<\/strong> Susann P\u00f6nisch<br \/>\n<strong>color design<\/strong> Tonina Matamalas<br \/>\n<strong>puppet construction &amp; costume design<\/strong> H\u00e9l\u00e8ne Tragesser, Alma Weber, Lydia G\u00fcnther, Doris Weinberger, Tamari Bunjes, Maria Steimetz<br \/>\n<strong>line producer animation<\/strong> Katrin Rothe<br \/>\n<strong>compositing<\/strong> Matthias Daenschel, Rainer Ludwigs, Felix Kn\u00f6pfle, Thorsten Pengel, Katrin Rothe<br \/>\n<strong>cinematography animation<\/strong> Bj\u00f6rn Ullrich, Markus Wustmann<br \/>\n<strong>assistants<\/strong> Anna Maysuk, Liza Cramer, Gregor Stephani, Donata Schmidt-Werthern, Lara Czielinski, Lina Walde, Knut Rothe, Jenefer Flach<br \/>\n<strong>production assistant<\/strong> Sophia Rubischung<br \/>\n<strong>cinematography<\/strong> Thomas Schneider, Robert Laatz<br \/>\n<strong>art department<\/strong> Dennis Hannig<br \/>\n<strong>live action stills<\/strong> Thomas Funke<br \/>\n<strong>sound design<\/strong> Anders Wasserfall<br \/>\n<strong>beatbox artist<\/strong> Das Friedl<br \/>\n<strong>foley artists<\/strong> Andr\u00e9 Feldhaus, Urs Kr\u00fcger<br \/>\n<strong>voice recording<\/strong> Klemens Fuhrmann, soundcompany berlin audiopost<br \/>\n<strong>voice recording English<\/strong> Ramon Orza, Tonstudios Z.<br \/>\n<strong>music recording<\/strong> Stefan Ulrich, palais aux etoiles<br \/>\n<strong>sound mixing<\/strong> Oliver Sroweleit, Studio Nord Bremen<br \/>\n<strong>post-production supervisor<\/strong> Thorsten Pengel<br \/>\n<strong>cutter\u00a0tv versions<\/strong> Fabian Eggenschwiler<br \/>\n<strong>color grading<\/strong> Lucas Ke\u00dfler<br \/>\n<strong>post-production<\/strong> Arno Schumann, Montagehalle<br \/>\n<strong>subtitles (creation)<\/strong> Cinetyp AG<br \/>\n<strong>historical consultants<\/strong> Margarete V\u00f6hringer, Heiko Naumann<br \/>\n<strong>legal adviser<\/strong> Alexandra H\u00f6lzer<br \/>\n<strong>pr\u00a0text<\/strong> Maja Maria Liebau<br \/>\n<strong>lectorate<\/strong> Astrid Herbold<br \/>\n<strong>translations<\/strong> Lydia Nagel, Susanne R\u00f6del, Imogen Rose Taylor, Jekaterina Jevtusevskaja, Interna Translations AG<\/p>\n<p><strong>many thanks to<\/strong> Jan Asmus, Natalie Bitumski, Jochen Coldewey, Gabriele Conrad, Czentrifuga Art Collective, Otto Das, Andreas Eichler, Elias Emken, Fleur de Sel Bistro, Beat Gipp, Veronika Grob, Vetta Kirillova, Robert Leichensring, Martin Lorentz, Kameraverleih Ludwig, Kiezkantine Oderberger Stra\u00dfe, Wanja M\u00fcller, mob e.V. (Mara &amp; Olga), Oleg Myrzak, Mikhail Myzgin, Natalia, Kirsten Niehuus, Silke Panzer, Michael Schmacke, Johannes Stern, Maja Turovskaja, Katja Uhlig, Heike Warmuth<\/p>\n<p><strong>production managers<\/strong> Nicole Schink, Sereina Gabathuler, Rainer Baumert (rbb)<br \/>\n<strong>production consultant<\/strong> Gunter Hanfgarn<br \/>\n<strong>commissioning editors<\/strong>\u00a0 Dagmar Mielke (rbb\/ARTE),\u00a0Rolf Bergmann (rbb),\u00a0Suzanne Biermann (ARTE G.E.I.E.),\u00a0Denise Chervet (SRF Sternstunde), Gabriela Bloch Steinemann (SRG SSR)<br \/>\n<strong>producers<\/strong> Katrin Rothe, Werner Schweizer, Peter Roloff<\/p>\n<p><strong>production<\/strong>\u00a0Katrin Rothe Filmproduktion<br \/>\n<strong>in coproduction with<\/strong><br \/>\nDschoint Ventschr Filmproduktion<br \/>\nmaxim film<br \/>\nRundfunk Berlin-Brandenburg\u00a0in cooperation with ARTE<br \/>\nSchweizer Radio und Fernsehen<\/p>\n<p><strong>funded by<\/strong><br \/>\nMedienboard Berlin Brandenburg<br \/>\nnordmedia Film- und Mediengesellschaft Niedersachen\/Bremen<br \/>\nZ\u00fcrcher Filmstiftung<br \/>\nStiftung Studienbibliothek zur Geschichte der Arbeiterbewegung<\/p>\n<p>\u00a9 2017 Katrin Rothe Filmproduktion, Dschoint Ventschr Filmproduktion AG, Edition Maxim Bremen, Rundfunk Berlin-Brandenburg<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-0cfe3c1853be5f74081\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-0cfe3c1853be5f74081\" href=\"#tab-0cfe3c1853be5f74081\"><h4 class=\"fusion-tab-heading\">more info<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-0cfe3c1853be5f74081\" id=\"tab-0cfe3c1853be5f74081\"><strong>1917 \u2013 The Real October<\/strong> is a cinematic retelling of the Russian Revolution. Based partially on previously unknown source material, diaries, reports, and literary works of her animated protagonists, the two-time Grimme-Award-winner <strong><a href=\"https:\/\/maxim-film.de\/en\/katrin-rothe\/\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"local-link\">Katrin Rothe<\/a><\/strong> undertakes a multi-perspective interrogation of what is nowadays known as \u201cOctober Revolution.\u201d<\/p>\n<p>What happened in Saint Petersburg, then known as Petrograd, during the time between the uprisings in February that forced the Tsar to abdicate and the takeover of power by the Bolsheviks in October? During this phase of the <em>Provisional Government<\/em> (a diarchy of the parliament <em>Duma<\/em> as well as the <em>Soviets<\/em>, the workers\u2019 council) Russia drowned in chaos and anarchy. Amidst the on-going world-war it remained without a binding constitution. Why was no civil-parliamentary democracy formed? How did the return of Lenin and Trotzky change the situation in springtime? Which side had when and where how many military or other forces of arms?<\/p>\n<p>The director\u2019s attention is focused on the developments within a dangerous instable power vacuum. Along the historic chronology of the events she dives, along with her figures, into their social, cultural, and national policy discourse, into private worlds of thought, bold visions, and flaming pleas \u2013 into contradictory, vivid opinions, which change during the course of the events. Out of the diverse reflexions of these artistic contemporaries, a trenchant differentiation of the two revolutions of the year emerges.<\/p>\n<p>How world famous the film\u2019s protagonists would become is still unknown at the time of the occurrences. In 1917 all of them are cultivating contacts to each other as well as to various sections of the community in St. Petersburg. The lyricist <strong>Zinaida Gippius<\/strong> (voiced by Nicolaia Marston), then 47 years of age, lives opposite the <em>Tauride Palace<\/em>, the parliament building, in which the discordant <em>Provisional Government<\/em> confers separately. She is friends with several ministers and many a paper of grave political importance is authored on her kitchen table. The established painter and critic <strong>Alexandre Benois <\/strong>(Michael Morris), 47, as well as the internationally acknowledged writer <strong>Maxim Gorky<\/strong> (Trevor Rolling), 49, are already well established in Russia\u2019s cultural life. Both fear the destruction of art and creativity. The bustling avant-gardist and soldier <strong>Kazimir Malevich<\/strong> (Paul Bendelow), 38, proves himself as a resourceful organiser and publishes one manifest after another. <strong>Vladimir Mayakovsky <\/strong>(Steve Hudson), the 25-year-old eccentric poet, tirelessly dashes through the city, is everywhere where it is dangerous and tangles with the older artists. He is dreaming of a new world and a radically different, truly democratic art.<\/p>\n<p>Zinaida Gippius, the poetic \u201cchronographer\u201d of the occurrences of 1917 writes in February: \u201cLike everyone else, I can\u2019t get to grips with these times\u201d and in autumn: \u201cThere is [\u2026] no more homeland.\u201d Almost one hundred years later, the film artist Katrin Rothe sweeps together the colourful snippets of her cut-out figures and scenarios on the floor of her study. The inserted real-life scenes with her as a questioning and arraying narrator (voiced by Danielle Green) link the animated pictures together. Left unsatisfied by the reading of plenty of historical scholarly books, she searches for and finds more vivid thoughts, observations, and \u201ctruths\u201d in the contemporary testimonies of the artists. At the same time, a chronological timeline of the historical facts grows gradually underneath her hands \u2013 ultimately woven around by a weave of \u201cred threads\u201d: the approach remains as many-voiced as life itself, even in the re-constructing retrospect.<\/p>\n<p>The visual aesthetics of the film are orientated towards that of the then-contemporaries (i.e. the eager to try new things, heavily abstract, explicit design-vocabulary of the Russian avant-gardists) and unfolds, adopted into today\u2019s world with plenty of charm, an entirely autonomous style. Its unabashed imaginative mixture of artistic and filmic means is characteristic for 1917 \u2013 THE REAL OCTOBER. Various materials such as cardboard, cords, and fabric join together to form the characteristic main characters, which \u201cawake\u201d as cut-out animations with complex and highly variably facial expressions, gestures, and body language. At the same time not even a tiny piece of bubble wrap or fake fur denies its actual texture; if anything, the material plays an important part in the finished composition. The interiors, backgrounds, and city panoramas combine serigraphy, fine line drawings, and colourized tableaus of various different cue states, in front of which the protagonists turn up, as well as paper cuttings of demonstrating masses, dancing couples, marching troops, and three-dimensional collages. Historical black and white shots complement the dramatic composition with impressive references to the layer of the actual historical events and their existential dimension. Just as the visual, so is the auditory aspect of the film a stringently mixed cooperation of heterogenic elements. Specially composed music by Thomas M\u00e4vers, noises, historical sound on tape, tonal atmospheres and the speaking voices compose a river of layers with different density that reinforces the pictures\u2019 moods and enriches them at the same time.<\/p>\n<p>For the first time <strong>1917 \u2013\u00a0The Real October<\/strong> illuminates the historical subject on the basis of applicable artist biographies and thus debates superordinate, timelessly relevant culture-historical and culture-theoretical aspects at the same time: what role do arts and artists play, what role can they even play in turmoil, awakenings, and upheavals of established social systems? Where and how do they promote the events themselves with their compositions, ideas, and visions in an explanatory, propagandizing, and doubting way? Do they take a stand for the preservation of the cultural and artistic heritage? Or for renewal programmes that entail the destruction of the old? What is their leeway in this endeavour? What happens to the arts when life itself is in danger? What relations did and do artists bear to political structures, to state and financial powers? Can art ever be truly democratic? Is artistic autonomy or collective self-administration possible? How? Within the film, the acts and thoughts of the protagonists answer these questions in different ways. All of the artists perceive what happens differently, process it individually in their own reflexions and works, in their everyday-lives and political commitments, and thus return it to their surroundings, where it is cultivated further. In the concreteness of the year of the Russian Revolution cultural history manifests exemplarily as a sum of historical circumstances, occurrences, and personal fate.<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-9c887b49b07eeaf45de\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-9c887b49b07eeaf45de\" href=\"#tab-9c887b49b07eeaf45de\"><h4 class=\"fusion-tab-heading\">festival theatrical tv<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-9c887b49b07eeaf45de\" id=\"tab-9c887b49b07eeaf45de\">\n<p><strong>TV Premieres<\/strong><br \/>\nrbb (Germany), November 5, 2017<br \/>\nARTE (Germany\/France), November 1, 2017<br \/>\nDW-tv (Germany), October 25, 2017<br \/>\n<a href=\"https:\/\/www.srf.ch\/sendungen\/sternstunde-kunst\/der-wahre-oktober\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">SRF 1<\/a> (Switzerland), October 8, 2017<br \/>\nrbb (Germany), April 22, 2018 &#8211; feature-length version<\/p>\n<p><strong>Festivals &#8211; Awards &#8211; Specials<\/strong><\/p>\n<p>Exhibition <a href=\"http:\/\/www.tsd.de\/de\/mm\/ausstellungen\/sonderausstellungen\/reader\/title\/KatrinRothe\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Der Animadoc von Katrin Rothe<\/a><br \/>\nDIAF &#8211; Deutsches Institut f\u00fcr Animationsfilm, Dresden<br \/>\nSeptember 8, 2018 to April 28, 2019<\/p>\n<p><a href=\"https:\/\/rexanimation.se\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">REX<\/a> Animationsfestival, Stockholm, Sweden<br \/>\nOctober 11-14, 2018<\/p>\n<p><a href=\"https:\/\/www.forumdesimages.fr\/english-contents\/forum-des-images\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Forum des Images<\/a>, Paris, France<br \/>\nOctober 4, 2018<\/p>\n<p><a href=\"http:\/\/russianfilmweek.org\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Golden Unicorn Awards<\/a> film tour, Russia<br \/>\nMoscow, September 21, 2018 &#8211; in attendance of director<br \/>\nSt. Petersburg, September 22, 2018 &#8211; in attendance of director<br \/>\nVoronezh, October 4, 2018<\/p>\n<p><a href=\"http:\/\/www.documentarist.org\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Documentarist<\/a> Istanbul Documentary Days, Turkey<br \/>\nJune, 9-14 2018<\/p>\n<p><a href=\"http:\/\/www.tsd.de\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Technische Sammlungen<\/a>, Dresden, Germany<br \/>\nsingle exhibition<br \/>\nsummer 2018<\/p>\n<p><a href=\"http:\/\/www.futurefilmfestival.org\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Future Film Festival<\/a>, Bologna, Italia,<br \/>\nMay 31, 2018<\/p>\n<p><a href=\"http:\/\/ilmin.org\/en\/exhibition\/past-exhibition\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Ilmin Museum of Art<\/a>, Seoul, South Korea<br \/>\n\u201eFlipbook, the Revolutionary Animations of the 21st Century\u201c, group exhibition<br \/>\nOpening May 17, 2018<\/p>\n<p><a href=\"http:\/\/573filmfestival.com\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">573 Film Festival<\/a>, Cape Girardeau, Missouri, USA<br \/>\nApril 8, 2018<\/p>\n<p>Animation Film Festival of Meknes, Morocco<br \/>\nMarch 17-21, 2018<\/p>\n<p><a href=\"http:\/\/www.monstrafestival.com\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">MONSTRA<\/a> \u2013 Lisbon Animated Film Festival, Portugal<br \/>\nMarch 13-16, 2018<\/p>\n<p>8 Women Film Festival, Moscow<br \/>\nMarch 13, 2018<\/p>\n<p><a href=\"https:\/\/www.trickywomen.at\/de\/festival\/2018\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">tricky women<\/a>, Vienna, Austria<br \/>\nScreening, panel discussion, group exhibition<br \/>\nMarch 10 &#8211; April 5, 2018<\/p>\n<p><a href=\"http:\/\/www.ciaf.gov.eg\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">CIAF<\/a> &#8211; Cairo International Animation Forum, Egypt<br \/>\nin competition<br \/>\nFebruary 2018<\/p>\n<p><a href=\"https:\/\/www.goethe.de\/ins\/us\/de\/sta\/chi\/ver.cfm?fuseaction=events.detail&amp;event_id=21107849\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Goethe-Institut Chicago<\/a>, USA<br \/>\nDecember 8, 2017<\/p>\n<p><a href=\"http:\/\/www.russianfilmweek.org\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Russian Film Week<\/a> \/ Golden Unicorn Awards, London<br \/>\nNovember 21, 2017<\/p>\n<p><a href=\"http:\/\/www.gijonfilmfestival.com\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Gij\u00f3n International Film Festival<\/a>, Spain<br \/>\nNovember 17-25, 2017<\/p>\n<p><a href=\"https:\/\/www.goethe.de\/ins\/us\/de\/sta\/los\/ver.cfm?fuseaction=events.detail&amp;event_id=21098161\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Goethe-Institut Los Angeles<\/a>, USA<br \/>\nNovember 16, 2017<\/p>\n<p><a href=\"http:\/\/www.verzio.org\/en\/2017\/films\/1917_the-real-october\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Verzio International Human Rights Documentary Film Festival<\/a> &amp;<br \/>\n&#8220;<a href=\"http:\/\/www.osaarchivum.org\/events\/Spectrum-Communism-%E2%80%94-Symposium-Blinken-OSA\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Spectrum of Communism<\/a>&#8221; &#8211; Conference and Exhibition<br \/>\nOSA Vera &amp; Donald Blinken Open Society Archives\/Central European University<br \/>\nBudapest, Hungary<br \/>\nNovember 11, 2017 &amp; exhibition<\/p>\n<p>Museum of Nonconformist Art, St. Petersburg, Russland &amp; acc Galerie Weimar, Germany<br \/>\nDouble exhibition \u201eA Romance with Revolution\u201d<br \/>\nNovember 10, 2017<\/p>\n<p><strong>North American Premiere<\/strong><br \/>\n<a href=\"http:\/\/www.cinemastlouis.org\/sliff\/2017\/1917-real-october\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">St. Louis International Film Festival<\/a>, USA<br \/>\nNovember 9, 2017<\/p>\n<p><strong>South American Premiere<\/strong><br \/>\n<a href=\"http:\/\/41.mostra.org\/en\/filme\/9265-1917---THE-REAL-OCTOBER\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Mostra \u2013 Sao Paulo International Film Festival<\/a>, Brazil<br \/>\nNew Filmmakers Competition<br \/>\nOctober 19, 20,22 &amp; 28 2017<\/p>\n<p><strong>Best Documentary Award<\/strong><br \/>\n<a href=\"http:\/\/www.cinema-rp.com\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">International Film Festival \u201eRussia Abroad\u201c<\/a>, Moscow<br \/>\nNovember 13,\u00a02017<\/p>\n<p><a href=\"http:\/\/www.filmfestivalcottbus.de\/en\/festival-en\/program-en\/programoverview\/movie\/1016.html\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">FilmFestival Cottbus<\/a> \u2013 Festival for East European Films, Germany<br \/>\nNovember 8, 2017<\/p>\n<p><a href=\"http:\/\/www.arrasfilmfestival.com\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Arras Film Festival<\/a>, France<br \/>\nNovember 3-12, 2017<\/p>\n<p><a href=\"http:\/\/cinanima.pt\/en\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Cinanima<\/a> \u2013 International Animated Film Festival of Espinho, Portugal<br \/>\nNovember 6-12,\u00a02017<\/p>\n<p><a href=\"http:\/\/www.reanimania.com\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Reanimania<\/a> \u2013 International Animation Films &amp; Comic Arts Festival of Yerevan,<br \/>\nArmenia, October 28 &#8211; November 3, 2017<\/p>\n<p><strong>Asian Premiere<\/strong><br \/>\n<a href=\"https:\/\/www.biaf.or.kr:47436\/2017\/en\/index_new.php\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">BIAF<\/a> \u2013 Bucheon International Animation Festival, South Korea<br \/>\nOctober 20-24, 2017<\/p>\n<p><a href=\"http:\/\/territoryfest.com\/about\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">TERRITORY Festival<\/a>, Moscow<br \/>\nOctober 23, 2017<\/p>\n<p><a href=\"https:\/\/www.jfw.at\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Jewish Film Festival Vienna<\/a>, Austria<br \/>\nOctober 4-18, 2017<\/p>\n<p><a href=\"http:\/\/norwayfestivals.com\/en\/festivals\/kapittel-stavanger-international-festival-literature-and-freedom-speech\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Kapittel<\/a> \u2013 Stavanger International Festival of Literature and Freedom of Speech,<br \/>\nNorway, September 20-24, 2017<\/p>\n<p><a href=\"http:\/\/fantoche.ch\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Fantoche<\/a> \u2013 International Festival for Animation Film, Baden, Switzerland<br \/>\nSeptember 9-10, 2017<\/p>\n<p><a href=\"https:\/\/de-de.facebook.com\/historyfilmfestival\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">1st History Film Festival<\/a>, Rijeka, Croatia<br \/>\nSeptember 6, 2017<\/p>\n<p><a href=\"http:\/\/www.kunstfest-weimar.de\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Kunstfest Weimar<\/a>, Germany<br \/>\nSeptember 2, 2017<\/p>\n<p><a class=\"ext-link ext-link\" href=\"http:\/\/www.performfilmfestival.com\/oktyabr\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Perform Film Festival<\/a>, Moscow<br \/>\nJuly 13, 2017, Tretjakov Gallery<br \/>\nJuly 17, 2017,\u00a0Kino Center October<\/p>\n<p>MIF17 \u2013 Manchester International Festival, Great Britain<br \/>\n14. Juli 2017, <a class=\"ext-link ext-link\" href=\"https:\/\/homemcr.org\/film\/1917-real-october\/\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">HOME<\/a><\/p>\n<p><a href=\"http:\/\/www.swr.de\/swr-doku-festival\/-\/id=19095172\/97skme\/index.html\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">SWR Doku Festival<\/a> +\u00a0<a href=\"http:\/\/www.dokville2017.de\/index.php\/programm\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">dokville Summit<\/a><br \/>\nStuttgart, Germany, Metropol Kino<br \/>\nJune 30, 2017, panel discussion with director &amp; screening<\/p>\n<p><strong>Russian Premiere<\/strong><a href=\"http:\/\/39.moscowfilmfestival.ru\/miff39\/eng\/films\/?id=39170\"><br \/>\nMoscow International Film Festival<\/a>, Russia<br \/>\nJune 26 + 28, 2017<br \/>\nFilm Center &#8220;October&#8221;<\/p>\n<p><strong>International Premiere<br \/>\n<\/strong><a class=\"ext-link ext-link\" href=\"https:\/\/www.annecy.org\/programme\/index:film-20171599\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">International Animation Film Festival Annecy<\/a>, France<br \/>\nJune 12, 13 + 15, 2017, Path\u00e9 5<\/p>\n<p>Bremen, Germany<br \/>\n<a href=\"http:\/\/www.theaterbremen.de\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Theater Bremen<\/a>\u00a0&#8211; &#8220;Kapputalismus&#8221;\u00a0series\u00a0 in\u00a0cooperation with\u00a0<a href=\"http:\/\/www.boell-bremen.de\/\"><br \/>\nHeinrich B\u00f6ll Stiftung Bremen<\/a> and <a href=\"http:\/\/www.filmbuero-bremen.de\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Filmb\u00fcro Bremen<\/a>,\u00a0June 11, 2017<\/p>\n<p>Dokwochen Jena (Jena Documentary Weeks), Germany<br \/>\nOpening film<br \/>\nMay 24, 2017<\/p>\n<p><a href=\"http:\/\/www.metropolkino-gera.de\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Metropol Gera<\/a>, Gera, Germany<br \/>\nDocumentary of the month<br \/>\nMay 23, 2017<\/p>\n<p>Giessen University, Prof. Ulrike Weckel, Giessen, Germany<br \/>\n<a href=\"https:\/\/www.kinopolis.de\/gi\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Kinocenter Gie\u00dfen<\/a><br \/>\nMai 18, 2017<\/p>\n<p><strong>Swiss and German theatrical releases<br \/>\n<\/strong>May 2017<br \/>\nfor cinemas and schedules visit <a href=\"http:\/\/www.1917-derfilm.de\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">www.1917-derfilm.de<\/a><\/p>\n<p><strong><a href=\"http:\/\/www.1917-derfilm.de\/ausstellung.html\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Making of&#8230;<\/a><\/strong><br \/>\n<a href=\"http:\/\/www.1917-derfilm.de\/ausstellung.html\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Animatorium<\/a>, Zurich, Switzerland<br \/>\nExhibition opening\u00a0May 4,\u00a02017<br \/>\nMay 4 &#8211; 27, 2017<\/p>\n<p><a href=\"https:\/\/www.arena.ch\/de\/stuessihof\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Kino St\u00fcssihof<\/a>, Z\u00fcrich, Switzerland<br \/>\nMay 4 &#8211; 31,\u00a02017<\/p>\n<p><a href=\"http:\/\/www.filmland-mv.de\/praesentation\/filmkunstfest-mv\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Filmkunstfest Schwerin<\/a>, Schwerin, Germany &#8211; in documentary competition<br \/>\nMay 3 + 6, 2017,<\/p>\n<p><strong>German Premiere<br \/>\n<\/strong><a href=\"https:\/\/achtungberlin.de\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">achtung berlin &#8211; new berlin film award<\/a>\u00a0&#8211;\u00a0in documentary competition<br \/>\nApril 20, 2017 &#8211; <a href=\"https:\/\/www.volksbuehne-berlin.de\/praxis\/sehen_1917_der_wahre_oktober\/?id_datum=11444\">Volksb\u00fchne\u00a0&#8211; Grand Hall<br \/>\n<\/a>April 21 + 22, 2017 &#8211; Babylon<\/p>\n<p><strong>World Premiere<\/strong><br \/>\n<a href=\"http:\/\/tools.solothurnerfilmtage.ch\/home\/programm_detail.aspx?FilmId=24160&amp;Lang=de&amp;bu=%2Fhome%2Fregisseure_AbisZ.aspx%3FLang%3Dde\" target=\"_blank\" rel=\"noopener noreferrer external nofollow\" class=\"ext-link\" onclick=\"this.target=&#039;_blank&#039;;\">Solothurn Film Festival, Switzerland<\/a><br \/>\nKino Capitol<br \/>\nJanuary 21, 2017<\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-a31b31e6c0e02ede53c\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-a31b31e6c0e02ede53c\" href=\"#tab-a31b31e6c0e02ede53c\"><h4 class=\"fusion-tab-heading\">buy<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-a31b31e6c0e02ede53c\" id=\"tab-a31b31e6c0e02ede53c\">\n<p><strong>VOD<\/strong> &#8211; Video on Demand &#8211; English version on <a href=\"https:\/\/vimeo.com\/ondemand\/1917therealoctober\/\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Vimeo<\/a><\/p>\n<p><strong>DVD<br \/>\n<\/strong>Languages: English (Dolby Digital 5.1), German (Dolby Digital 5.1)<br \/>\nSubtitles: English, French, Spanish, Portuguese, Russian, Croatian, Korean<br \/>\nAvailable on <a href=\"https:\/\/www.amazon.de\/s\/ref=nb_sb_noss_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&amp;url=search-alias%3Daps&amp;field-keywords=1917+-+der+wahre+oktober\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">Amazon.de<\/a> and at bookstores in Germany, Switzerland and Austria (ISBN 978-3-9812395-7-7)<\/p>\n<p><strong>World Sales<br \/>\n<\/strong>NEW DOCS<br \/>\nDasselstr. 75-77<br \/>\n50674 K\u00f6ln, Germany<br \/>\nphone +49 (221) 168 197 4<br \/>\nfax +49 (221) 168 197 47<br \/>\n<a href=\"mailto:sales@newdocs.de\" target=\"_blank\" rel=\"noopener noreferrer\">sales@newdocs.de<\/a><br \/>\n<a href=\"http:\/\/www.newdocs.de\" target=\"_blank\" rel=\"noopener noreferrer external nofollow\" class=\"ext-link\" onclick=\"this.target=&#039;_blank&#039;;\">www.newdocs.de<\/a><\/p>\n<p><strong>market screening<br \/>\n<\/strong><a href=\"https:\/\/www.efm-berlinale.de\/en\/home\/homepage.html\" class=\"ext-link\" rel=\"external nofollow\" onclick=\"this.target=&#039;_blank&#039;;\">EFM<\/a>\u00a0Berlin<br \/>\nFebruary 14, 2017<\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\" aria-orientation=\"horizontal\"><li  role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-8ba7f82233ceac9d256\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-8ba7f82233ceac9d256\" href=\"#tab-8ba7f82233ceac9d256\"><h4 class=\"fusion-tab-heading\">press<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-8ba7f82233ceac9d256\" id=\"tab-8ba7f82233ceac9d256\">\n<p><strong>please contact<br \/>\n<\/strong>Katrin Rothe Filmproduktion<br \/>\n<a href=\"mailto:info@karootons.de\" target=\"_blank\" rel=\"noopener noreferrer\">info@karootons.de<\/a><\/p>\n<p><a href=\"https:\/\/www.dropbox.com\/s\/26d4e9e9i2054mc\/1917-The_Real_October_Press_Kit_English_2017-05-30.pdf?dl=0\" target=\"_blank\" rel=\"noopener noreferrer external nofollow\" class=\"ext-link\" onclick=\"this.target=&#039;_blank&#039;;\">press kit<\/a><br \/>\n<a href=\"https:\/\/www.dropbox.com\/s\/2zfyk8t5pugk0gb\/1917-The_Real_October-press_pictures.zip?dl=0\" target=\"_blank\" rel=\"noopener noreferrer external nofollow\" class=\"ext-link\" onclick=\"this.target=&#039;_blank&#039;;\">press pictures<\/a><br \/>\n<a href=\"https:\/\/www.dropbox.com\/s\/w96uu8g0j1je6zy\/1917-Der_wahre_Oktober_Poster_DINA4_copyright_Katrin_Rothe_Filmproduktion.jpg?dl=0\" target=\"_blank\" rel=\"noopener noreferrer external nofollow\" class=\"ext-image\" onclick=\"this.target=&#039;_blank&#039;;\">film poster<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Russian Revolution. A cut-out animation.<\/p>\n","protected":false},"author":1,"featured_media":3745,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[13,6,28],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-2480","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-docs-on-art","portfolio_category-feature-length","portfolio_category-katrin-rothe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1917 - The\u00a0Real October - animation - maxim-film<\/title>\n<meta name=\"description\" content=\"Art Power Revolution: an animation film about Russia in 1917, directed by Katrin Rothe. 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